Olga, the Baroness de Meyer (1871 – 1930/1931) was an artists’ model, socialite, patron of the arts, writer, and fashion figure of the early 20th century. She was the wife of photographer Adolph de Meyer and was rumoured to be the natural daughter of King Edward VII of the United Kingdom.
image of Olga found here
To many individuals who observed Olga’s early life the most distinguished familial connection was her relationship with Albert Edward, the Prince of Wales and later King Edward VII. Though officially her godfather, the British royal was known to be one of Olga’s mother’s lovers and, consequently, suspected of being Olga’s actual father.
King Edward visiting Marienbad found here
However, other potential fathers have been identified. A strong candidate was Stanislaus Augustus, 3rd Prince Poniatowski and 3rd Prince of Monte Rotondo, a former equerry of Napoleon III, whom Olga reportedly resembled and with whom the newlywed Duchess Caracciolo reportedly eloped on 1 September 1869, the very day her arranged marriage with the duke took place.
image found here
Olga married Marino Brancaccio in 1892, and divorced him in 1899. Artist Jacques-Émile Blanche, a family friend, called it “a short and most dramatic union“. A month later she married Adolphe de Meyer, a celebrated artist and photographer. This was a marriage of convenience, as the groom was homosexual and the bride was bisexual; some sources went to far as to identify her as a lesbian.
Baron de Meyer found here
The de Meyers were characterized by Violet Trefusis—who counted Olga among her lovers —as “Pederaste and Medisante” because, as Trefusis observed, “He looked so queer and she had such a vicious tongue“. Olga also had an affair with Princess de Polignac, the well known Singer sewing-machine heiress and arts patron.
Known for “her elusive combination of childlike innocence and soigné charm” and described as “tall and slender, with Venetian red hair”, Olga de Meyer was muse and model to many artists. Though British novelist George Moore was unimpressed by her beauty. As he commented to an admiring friend, “By Jove, you’re all after the girl, a fine Mélisande for the stage, with her beautiful hair down to her heels. She’s paintable, I admit, but as to one’s daily use, I should rather have the mother than the daughter. Too slender for me … you know my tastes.”
image of long hair found here
She worked briefly as a society columnist for a Paris newspaper in the 1890s. As Mahrah de Meyer, a name she adopted on the advice of an astrologer, she wrote one novel, the autobiographical Nadine Narska. The New York Times condemned the novel as “morbid, exaggerated and guilty of many carelessly written sentences”, while The Dial called de Meyer’s book “a miscellaneous mixture of paganism, diluted Nietzsche, and the doctrine of reincarnation“.
paganism image found here
Known as a female amateur fencing champion, Baroness de Meyer competed at tournaments in Europe and the United States in the early 1900s. The last years of Olga de Meyer’s life were not pleasant ones. As an observer wrote, “Nervous, drugged, surrounded by ambiguous friends and accompanied by a too-conspicuous husband, Olga became frankly spiteful. Scandal-mongering had eliminated the last of her respectable friends, and people visited her only because they could be sure to find a pipe of opium or a sniff of cocaine”.
more lovely stereoscopic images here
Olga de Meyer died in a detoxification clinic in Austria in 1930 or 1931.